SpyTunes to record the history of guitar through songs

- spytunes guitar guru
SpyTunes are on a mission: To record the history of popular music from the guitar's perspective. Starting in the 20s up til today and beyond.
We do this by recording a version of the song on one acoustic guitar and ad vocals.
By using the DIY TAB system a spytunes member/student can understand how these songs are constructed and from these conclusions create their own guitar parts, vocal melodies or whatever they wish to compose on the instrument.
This is the only known system to fully grasp musical harmony. You learn it, transcribe it and discuss it with SpyTunes Guru and other spytunes members.
So far we have recorded these tunes:
20s
Baby Won't You Please Come Home 1923
30s
Over The Rainbow 1939
50s
Angel Eyes 1953
60s
A Change Is Gonna Come 1964
Blackbird 1968
Blowin In The Wind 1963
Dream A Little Dream Of Me 1968
Scarborough Fair 1966
Sunny Afternoon 1966
70s
Ain't No Sunshine 1971
American Pie 1971
Angie 1973
Dreadlock Holiday 1978
Highway To Hell 1979
I Shot She Sheriff 1973
I Wish 1976
Parisienne Walkways 1978
Roxanne 1978
Stairway To Heaven 1971
Starman 1972
Tenderness 1973
Take Me To The River 1974
Whole Lotta Rosie 1977
Wish You Were Here 1975
80s
Arthurs Theme 1981
Fast Car 1988
Lately 1980
Mad World 1982
Redemption Song 1980
Talking About A Revolution 1988
90s
Angels 1997
Babylon 1999
Basket Case 1994
Brazen 1996
Bullet In Your Head 1992
Drugs Don't Work 1997
Hedonism 1997
Killing In The Name 1992
Kiss Me 1997
Know Your Enemy 1992
Monkey Wrench 1997
Pickin On Me 1996
Robin Hood 1996
Still Got The Blues 1990
Tears In Heaven 1992
Time Of Your Life 1997
Wonderwall 1995
Walking By Myself 1990
Weak 1996
00s
1234 2007
All My Life 2002
American Idiot 2004
Beautiful 2002
Cannonball 2002
Don't Wait Too Long 2004
Hey There Delilah 2007
I'm Yours 2008
The Pretender 2007
Electric Lessons
Some of these tunes are recorded on the electric guitar. For these lessons we don't ad vocals, instead we look more at riff writing, sound and technique.
So far the electric section is only covering 15 tunes but more is on the way.
The other day we recorded 10 new tunes by Jimi Hendrix, Albert King, SRV, John Mayer, B.B. and Freddie King.
Minor and major pentatonic licks shall also see more of an appearance in the near future, Ben Poole has started it off very nicily indeed.
The jam track section is also seeing an overhaul with new tracks to appear soon, competitions for best solo and lots of other goodies on the way.
In the meantime, please reply with which is your favorite so far, and maybe even add some ideas for future recordings.
-guru
Blackbird Guitar Lesson and analysis
Blackbird Analysis
This blog shall analyze how Paul McCartney used Bouree, open strings, multiple time signatures and a unique index finger strum to create a modern guitar classic.
Written by Paul McCartney but credited to Lennon/McCartney in true Beatles style ‘Blackbird’ has become almost compulsory for the acoustic guitarist to get their teeth into. The most important influence from a guitar point of view is Johann Sebastian Bachs’s Bouree in Em.
So before we start picking Blackbird apart, let’s have a listen to Per-Olov Kindgren playing Bouree in Em.
This is a world famous piece written for Lute (early version of the guitar) and dates back to the 1700s, over a century before the guitar was even invented. However, the lute is a close cousin and Bach wrote many pieces that can easily be adapted for the guitar.
The compositional technique used is called 'Counterpoint' which means that two melodies move against each other, the bass goes up when the top line moves down for example.
Bach was the master at this so lots to learn from him. Sheet music for this stuff is available everywhere, simply google it and you shall be on your way.
Blackbird by SpyTunes
Spytunes recording of Blackbird should be a note for note replica of the original. Played by Guru and sung by the biggest Beatles fan we ever met; Paul Cullum, this version should hopefully teach you how to play it yourself.
Blackbird picking
Blackbird use counterpoint but with a twist, the picking pattern is unique, only seen being used by Donovan before McCartney brought it to the masses. Let’s take a closer look.
The picking pattern combine two different techniques throughout. The first plucking technique using thumb, middle and index finger is used during the majority of the parts supporting the vocal melody.
The second strumming pattern is the unique index finger strum, use the second video in the playlist for a close up of this technique.
The interesting thing about these two patterns is how the strum answers the vocal.
It is not until the last vocal line of the verse “… you were only waiting…” that the strum is supporting the vocal.
Open strings
The open G-string is used throughout Blackbird giving the piece a ‘drone’ effect. Since chords are named by intervals in relation to the root the function of this open G changes.
Over the A shaped G chord at fret 10 the open G functions as a root.
Over the Em the G is now a m3rd, over the C and Cm it is the 5th.
It would be a good idea to work out what function the open G has throughout in order to understand this type of drone technique to a larger extent.
Time signatures
Throughout Blackbird you’ll find different time signatures appearing.
The most obvious one being the verse that starts in 3/4 for a bar, changing to 4/4 immediately. This 3/4 time for a bar concept appears several times throughout but there is also a 2/4 bar so use the Conspiracy DIY TAB sheet to fully grasp the structure.
Key Signatures
Blackbird is mainly a piece in the key of G but it does modulate to F and C in the chorus.
The modulation is tricky to fully understand, to get it you would need to see it as if in three keys; G, C and F.
Once you worked out what each keys chord would mean you can start drawing your own conclusion.
This type of modulation is extreme and the use of the same picking technique as in the verse makes it feel natural. This type of concept is well worth using; change something (in this case the key) but keep something else (the picking pattern).
Conclusion
Again we can see how in order to create a hit it does need to be inspired by something to feel as if we've heard it before, but also break new ground and be different. Blackbird certainly does this very well.
Next blog will look at the best tune ever written; "Over The Rainbow". Many versions have been recorded and we shall focus on Eva Cassidys version which became famous after Eva past away.
Until then, keep practicing.
-Guru